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Archive for December, 2009

An Example of How Musicians Failed To Embrace Technology in the Last Decade

Thursday, December 31st, 2009

Lou Reed iPhone App

No, it’s not April 1st 2010. This gave me pause. Lou Reed, he of the The Velvet Underground, of Metal Machine Music, of Andy Warhol’s Factory, Nico collaborator, of Transformer, bi-pal of David Bowie, the list goes on… has delivered an iPhone app, the Lou Zoom!

Lou Reed Pampelmoose Portland
no more squinting..

It’s a strange step, and here’s why. It’s not because Lou Reed is an iconic rock star who’s bands and music changed the face of rock music decades ago – as Brian Eno said about The Velvet Underground.. “although few people bought the album, most of those who did were inspired to form their own band.” And it’s not because I begrudge Lou the chance to cash in on his brand by selling an iPhone app. No, it’s because the app is not a creative move for Reed, it doesn’t add a jot to his pantheon of work. It doesn’t change the game, move the needle, or inspire me in anyway possible. Worse, the app seems to be a solution to a problem that doesn’t really exist.

Unless, that is, you have diminished eyesight as a product of old age.

Put down those bifocal’s boomers, Lou’s fixed things for you – no more pinching and scrolling on the iPhone screen, now he brings you LARGE LETTERS AND NUMBERS. As the app description goes, “Dramatically set in Helvetica Neue type, this contemporary take on classic Modernist design turns heads as quickly as it dials phone numbers.”

Finding this yesterday made me consider that this last decade in music and how musicians struggle with technology, is rather nicely summed up with this app release. It’s a sad footnote to what could have been a decade of major opportunity for musicians, artists and record labels. Instead, what we see looking back for the music industry in general is a wasteland that wouldn’t look out of place in the movie The Road.

As we enter 2010, it’s worth considering what Seth Godin has to say about the past 10 years – “The internet transformed our lives forever. Opportunities were created (and many were taken advantage of). And, like every decade, just about everyone missed it.Read the rest here.

Anthropology, Technology, The Social Web and Advertising

Monday, December 28th, 2009

Social Media, Blogs and Advertising Social Media, Blogs and Advertising Social Media, Blogs and Advertising Social Media, Blogs and Advertising

As we approach 2010 and the new decade, I decided to revisit this essay, one I originally wrote and posted in June of 2008. For much of this decade, social media as an idea, term or simply a phrase, has been willfully bandied around by agencies, social media “consultants” et al, as if it was the cure-all for any brands’ online presence. White noise engulfed common sense; nature, particularly how humans behave in society, was hardly ever considered as marketers embraced what they considered, the white hot future wrought by technology. That lack of consideration of human behavior on the web when it came to an online brand strategy, I believe, was an early mistake that really muddied the waters.

Just this week, in a post titled “Texting Isn’t The Distraction, Driving Is: A Parable For Social Business” Stowe Boyd wrote:

“In the social business context, this is similar to the acceptance of the personal element of social networking online, the acceptance that human life is lived in specific connections with other specific people, not in some generalized business context where workers are interchangeable parts.

Management often responds to the adoption of social tools the way that public policy has responded to texting while driving: they make it illegal to be social while working.

The far-sighted response will be to make it easier to gain the benefits of social business, and to rethink the organization and management of work around human nature instead to [sic] persisting in trying to ‘rise above’ what makes us people in the first place.”

That last paragraph, linking human nature to the benefits of social business, is a good jumping off point as any for how to discuss an online brand strategy with clients. Social Media has often been offered as a panacea, or a “solution” to a “problem” that doesn’t actually exist. Good strategy requires that hard questions be asked of how people, when using the social web, will interact with your brand. What would they naturally do?

What follows is the original post with changes or updates marked as so – [Update] or [Edit]. 18 months is an eternity on the web, but on re-reading this it seems, that with regard to social networking, change has been incremental at best. After all, we are still debating the difference, if there is any, between digital and traditional agencies.

June 2008
These days the advertising and marketing world is all abuzz with phrases such as – Social Media, Social Advertising, Facebook Ads, Mass Media Networking Advertising…..etc, etc.. In the last two weeks I have been a panelist at the L I S A seminar in Portland and the Hawaii MusicTech Conference in Honolulu. L.I.S.A., which is an acronym for Lessons In Social Advertising, was aimed at marketers and advertisers who haven’t yet worked out how to advertise effectively in social networks. It focused on topics such as ‘What is social advertising?’ and ‘How do you get young people to recommend your brand?’ The Hawaii MusicTech panel discussed how musicians could effectively use social networks such as Facebook and MySpace to reach an audience and communicate with them. Two sides of the table as it were. One group wants to advertise, or push, their messages to a mass audience, while the other wants to create a network of like-minded people who hopefully will pull content such as free MP3s and then “evangelize” on behalf of the musicians by spreading messages by electronic word of mouth.

To understand and embrace social networking is to place the idea that says “technology makes this possible” to one side and embrace the idea of the basic human need to stay in touch with other like-minded people at all times. As Clay Shirky says “The desire to be part of a group that shares, cooperates, or acts in concert is a basic human instinct.” Think about rock concerts for a minute….. Those “experts” that take a position on social networking and advertising come at it from a technological point of view, as in “technology has created the means for everyone to be connected and to stay in touch.” I disagree with that statement because it removes nature from the game. It is entirely natural for humans to want to interact as often as possible as we are all social animals. Cities are no more artificial (technological) than the hives of bees, therefore the Internet is as natural as a spider’s web. People who believe that technology is driving our online interactions are missing the point, as John Gray, professor of European thought at LSE has written – “we ourselves are technological devices, invented by ancient bacterial communities as a means of genetic survival.” Bottom line – social networking, [edit] on and offline, is as natural as apple pie as we all want to be as connected as possible – we can’t help it.

To some, online networks might be seen as mere antidotes to boredom at work, school or college, yet these new social networks do more than simply transmit one-way information about their members, they can change behaviour by propagating moods. These days we can all share “news” really fast, even about ourselves – for example, my Facebook or Twitter status might say “I’m heading to the beach in Waikiki…” and the mood that simple statement makes might become very contagious.

The Internet confirms what we have all known for a long time – the world is ruled by the power of suggestion but in the case of social networking it is often “influencers” that lead the suggesting. Then suggestions might become “group think.” John Gray writes – “in evolutionary prehistory, consciousness emerged as a side effect of language. Today it is a by product of media.” [Update N.B. - I prefer the straightforward use of the word media, especially re the social web] So, the question currently being asked by companies and advertisers is “how do we market and advertise to social networks?” Having to ask that question suggests the rocky ground that online advertisers are standing on.
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Digital Advertising Trend Predictions for 2010 by Iain Tait

Thursday, December 24th, 2009

2010 predictions

Click the image to see how the world of digital advertising will be transformed in 2010.

Russell Davis Magazine Machines – Compare and Contrast

Sunday, December 20th, 2009

Mag+ from Bonnier on Vimeo.

I found this on Russell Davies‘ wonderful blog. Because he is far more skeletal with his prose than I am, I decided that I would just re-post his thoughts on digital reading devices and how magazines are embracing them.

“Our friends at BERG have just made this lovely video/concept with/for Bonnier. It’s called Mag+ and it embodies all sorts of clever thinking about porting magazines onto digital devices.

It’s worth contrasting that with a similar exercise done by Time Inc, using Sports Illustrated. There are clearly loads of differences, one being the more considered designerly approach versus the brasher, more salesy one. But the most telling difference is that the BERG/Bonnier example seems focused on improving the experience and the Time one seems focused on preserving revenue. Now, preserving revenue is a noble aim, but the best way to get there is to think hard about users and their experience, not by trying to dazzle advertisers into thinking magazines are just like TV.”

Jay Rosen Interviews Clay Shirky – Disrupted: The Internet and The Press

Thursday, December 17th, 2009

The rest of the videos from this interview can be found here.

Beware of Social Media Snake Oil And Those Selling It

Saturday, December 5th, 2009

Toyota Terror Campaign Fails
Toyota’s Social Media “Terror” Campaign Backfires, Ends Badly

Here we have a very timely article from Business Week, that jumps right in and says what many of us surely know – that those so called “social media experts” offer up “advice” that is too rigid and provides little flexibility for differing situations—or outcomes. The mantra is – Be transparent, engage with your customers, break down silos. Yet these strictures don’t always make business sense, nor do they necessarily align with a businesses overall brand strategy. For example the article points to the disastrous Saatchi & Saatchi promotion for the Toyota (TM) Matrix.

Fight’s Rob Shields wrote here recently, Do You Need a Ferrari Or a Freight Train? As he says “Knowing what you are actually trying to do, and how it furthers your business, will help you choose what tactics to engage in.”

Read the Business Week article and then think twice before you buy a ticket to another panel discussion or seminar, where “experts” announce that they will teach you how to use Twitter, build a Facebook Fan page, set up a blog and give you answers to Social Media.

Excerpt from the Business Week article:

“For business, the rising popularity of Facebook, Twitter, and other social media Web sites presents a tantalizing opportunity. As millions of people flock to these online services to chat, flirt, swap photos, and network, companies have the chance to tune in to billions of digital conversations. They can pitch a product, listen to customer feedback, or ask for ideas. If they work it right, customers might even produce companies’ advertising for them and trade the ads with friends for free. Starbucks (SBUX), Dell (DELL), and Ford Motor (F) have all testified to the magic social media can create.

But the same tools carry risks. Employees encouraged to tap social networking sites can fritter away hours, or worse. They can spill company secrets or harm corporate relationships by denigrating partners. What’s more, with one misstep, one clumsy entrée, companies can quickly find themselves victims of the forces they were trying to master. Thousands of bloggers attacked Motrin last year because of an advertisement from the Johnson & Johnson (JNJ) brand they found demeaning to mothers.”

Read the rest of this article.

Dear Musicians – Please Be Brilliant or Get Out of The Way

Wednesday, December 2nd, 2009

Dear Musicians Fight Portland

Towards a New Music Business Model And The New Thinking That Is Required.

The future does not fit in the containers of the past.” – Rishad Tobaccowala

“..we are now in an era where spectatorial culture is giving way to participatory culture”. Henry Jenkins director, Comparative Media Studies Program at MIT.

I give thanks once again to Brian Zisk and his incredibly motivated crew for inviting me to speak at the upcoming SanFranMusicTech event on December 7th in San Francisco, and later at the SXSW Conference in Austin in March 2010. Brian is one of the organizers of SanFranMusicTech and is moderating the panel that I will be on at SXSW. [If you've never attended SanFranMusicTech I would encourage you to do so. It's a wonderful, energetic mix of entrepreneurs, tech experts, musicians and thought leaders in the digital space. In other words it's not just for musicians or techies...] The panel discussions will revolve around the premise of how, or if, musicians are using the tools available to them on the Social Web.

I have written this essay as a prelude to the upcoming panels, both to outline my views on the subject in advance, and also as a way to organize my thoughts and past essays into one place. The debate surrounding online music distribution still evokes passion from critics and supporters alike, the most vocal being musicians who believe that I am working to make music free online and therefore deny them income from CD sales. Nothing could be further from the truth, I simply argue that musicians need to monetize everything around their musical output and stop dreaming that CD sales will one day return to previous levels; where the 2009 equation means 100k is the new 1mm, 10k is the new 100k etc. I should point out for the record that I am focusing almost exclusively on non-mainstream, independent musicians. [Although there is no reason at all that mainstream, commercial artists shouldn't be doing the same thing.]

It Has Been Almost Fifteen Years

It has been more than a decade since I was last fully immersed in the recorded music business [and then only peripherally as GM of eMusic.com,] and I have long held out hope that musicians would ditch the old media model, both the business and the manufacturing sides, and fully embrace the huge possibilities that the unfettered social web allows them – asymmetrical distribution as opposed to old media distribution silos, two-way communication with music fans as opposed to old media PR, and marketing tactics and an unparalleled universal sandbox in which to experiment.

Fact Fight Portland

I am still waiting. Unfortunately my patience is now wearing thin. And my impatience is no longer with the record labels, it’s with the musicians. Despite all the data and untold amounts of writing about the decline in music sales, mainly the fall off of CD sales, musicians appear to be sitting on their hands. The reason I am no longer impatient with record labels is because their business model is transparent – they exist to make money from musicians. On the other hand, musicians are [or ought to be] immersed in their art; no one guarantees a living from the arts, but talk to the average musician about internet music distribution and you will often hear the same refrain – “downloading and file-sharing is killing music and denying me a living..” [BTW, that is not the best argument in the for and against wars of online music distribution; in the USA musicians conveniently forget that MTV and commercial radio is built on the back of musicians and those companies don't pay royalties for that privilege. You can include MySpace in there too.]

I have long argued that musicians need to drop the notion of making money from CD sales through record labels and concentrate on making money from the experiential awareness that surrounds their brand; a brand they own, no one else. The downside to this for musicians is that they need to get organized and work hard, or arrange for what I call the “fifth Beatle” to help with online communications, selling merchandise etc. Consider this from Russell Davies

Creating music is only the first step to creating something valuable and timeless. For instance, David Byrne played a building. Music released as part of an event is the future – Radiohead’s release of In Rainbows was the first step toward the album release as event, if it’s an album at all.. How it’s done is also important. The container has changed forever. Remember what Rishad Tobaccowala has to say to advertising agencies trying to embrace the social web – “The future does not fit in the containers of the past.” It is no different for bands. The organizing principle of recorded music is now in the hands of musicians, not technologists, not record labels. Consider this or perhaps release your music like this.

As I have written before: “Control has moved from the few to the millions of many. If dull labels and dull bands keep offering dull, flat, non-experiential product – e.g. a CD, they will go the way of the Dodo. Consider what Cirque Du Soleil provides as an experience compared to Barnum and Bailey’s circus. Or Burning Man compared to your average music festival.”

Valuable and Timeless – Some Examples

So who is working at the edges of independent rock music for instance? Below are but a few examples of musicians currently providing what I feel is valuable and timeless work; I consider valuable and timeless as ‘worth spending time in the present with,’ as time is our one truly finite resource; art does not necessarily exist to entertain us, it should fill our time with wonder.

From left to right: Karin Dreijer Andersson as Fever Ray, Radiohead‘s 52 minute long ‘Scotch Mist,’ Dirty Projectors Stillness Is The Move video, Sunn 0))) live as reviewed by Sasha Frere-Jones, Patti Smith, back in the 70′s performing Horses on British TV and DJ Spooky performing on Earth Day in Washington, DC. [I know I'm walking on thin ice here as music taste, as with one's taste in art, is highly subjective, but...] Click on the images to link to content.

Fever Ray Radiohead Scotch Mist Dirty Projectors Sun 0))) Patti Smith DJ Spooky
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